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Fritz the Cat is a comic strip created by Robert Crumb. Set in a "supercity" of anthropomorphic animals, the strip focused on Fritz, a feline con artist who frequently went on wild adventures that sometimes involved sexual escapades.

Crumb began drawing this character in homemade comic books when he was a child. Fritz became one of his best known characters, thanks largely to the motion picture adaptation by Ralph Bakshi.

The strip appeared in Help! It subsequently gained prominence in publications associated with the underground comix scene between and Fritz the Cat comic compilations elevated the strip into one of the most iconic features of the underground scene.

The strip received further attention when it was adapted into a animated film with the same name. The directorial debut of animator Bakshi, it was a hit internationally.

It was the first animated feature film to receive an X rating in the United States and the most successful independent animated feature to date.

Crumb ended the strip in due to disagreements with the filmmakers, publishing a story in his work The People's Comics where an ex-girlfriend murders Fritz with an ice pick.

Fritz the Cat was created in by Robert Crumb in a homemade comic book story called "Cat Life", based on the experiences of Fred, the family cat.

By this point, the cat had become anthropomorphic and had been renamed Fritz, a name derived from a minor unrelated character who appeared briefly in "Cat Life".

Sometimes Fritz was accompanied by Fuzzy the Bunny, who served as an alter ego for Charles, his creator. Fritz the Cat is set in a "modern 'supercity' of millions of animals.

The characters talked to each other and nothing much happened. Just a lot of foolishness takes place". I can express something [with animals] that is different from what I put into my work about humans I can put more nonsense, more satire and fantasy into the animals With people I try more for realism, which is probably why I'm generally better with animals.

In , when he was not working at American Greetings , Crumb drew many Fritz the Cat strips for his own amusement. Some of these strips would later be published in Help!

Marty Pahls, Crumb's childhood friend, describes Fritz as "a poseur ", whose posturing was taken seriously by everyone around him. Fritz was bold, poised, had a way with the ladies—all attributes which Robert coveted, but felt he lacked.

Crumb denied any personal attachment to the character, stating, "I just got into drawing him He was fun to draw. According to Pahls, "For years, [Crumb] had few friends and no sex life; he was forced to spend many hours at school or on the job, and when he came home he 'escaped' by drawing home-made comics.

When he suddenly found a group of friends that would accept him for himself, as he did in Cleveland in , the 'compensation' factor went out of his drawing, and this was pretty much the end of Fritz's impetus.

An early untitled page story, drawn in and released in as part of R. Crumb's Comics and Stories Rip Off Press , depicts Fritz as a beatnik caricature who has an incestuous tryst with his sister.

Winston is also a character featured in the film, as is this storyline—Fritz's Volkswagen Beetle dodging big rig trucks on the highway in the middle of the night and later running out of gas in the middle of nowhere.

Preceding the publication of the story, Kurtzman sent Crumb a letter which read, "Dear R. Crumb, we think the little pussycat drawings you sent us were just great.

Question is, how do we print them without going to jail? Although Kurtzman agreed to publish the story, he requested that Crumb alter the final two panels; the published version depicted Fritz standing next to her.

In this episode Fritz is a guitar-playing pop idol and he brings Fred, a female pigeon groupie, to his hotel room and proceeds to eat her. Crumb used the money to purchase a three-acre lot.

Crumb abandoned the character the same year as the Ballantine collection, [10] but previously unpublished stories appeared in Promethean Enterprises No.

At the artist's request, a page story drawn in and previously published in R. Crumb Coffee Table Art Book in They are presented here in approximate chronological order of creation:.

Following the publication of the compilations Head Comix and R. Crumb's Fritz the Cat , Crumb received increased attention and Fritz the Cat became one of the most familiar features on the underground comix scene [29] [42] and Crumb's most famous creation.

Like many other of Crumb's creations, Fritz the Cat has remained not without detractors. He felt that, "They also tend to ramble, as if Crumb were making them up as he went along.

The first film adaptation of Fritz the Cat was ranked 51st on the Online Film Critics Society 's list of the top greatest animated films of all time [46] and 56th on Channel 4 's list of the Greatest Cartoons.

Crumb's Fritz the Cat and suggested to producer Steve Krantz that it would work as a film. Following the film's release, Crumb quickly produced the story "Fritz the Cat 'Superstar'," [51] in which he satirized Bakshi and Krantz.

Crumb portrayed Fritz in a script conference for Fritz Goes to India , a fictional sequel to the film. She stabs him in the back of the head with an ice pick due to Fritz's overt sexism.

After the film's release, the American humor magazine the National Lampoon published a comics story written by mordant humorist Michael O'Donoghue , and drawn by Randall Enos in a parody of Crumb's style, called "Fritz the Star in 'Kitty Glitter.

From Wikipedia, the free encyclopedia. For the film, see Fritz the Cat film. The Early Years of Bitter Struggle. The Complete Crumb Comics. Fantagraphics Books.

Comics, Between the Panels. Dark Horse Comics. Press of Mississippi. Head Comix. In Holm, D. Crumb: Conversations. University Press of Mississippi.

The Guardian. He fought many a good man and laid many a good woman. And probably a few bad ones.

This cat had riches and fame and adventure. Fritz tasted life to the fullest and, at the end of that picture Fritz the Cat , his heart cries out in this hungry, tortured, wrecked quest for more.

But Fritz the Cat from was the first commercially animated feature film to capitalize on the X rating it snagged from the Motion Picture Association of America to sell tickets.

Fritz the Cat was written and directed by Ralph Bakshi. Bakshi had just come off drawing Heckle and Jeckle and other early morning classics for Terrytoons and was looking to direct his first feature.

He pitched Warner Brothers an inner-city street life script called Heavy Traffic. They passed on the film which would become his second cult classic.

His first was the second film he pitched to producer Steve Krantz, a crazy idea very loosely based on a collection of the Fritz the Cat comic strips by Robert Crumb.

I was eight when I read my first R. Crumb comic. It came in one of two brown paper shopping bags filled with comic books my grandfather found.

I was fascinated by the drawings, the humor, the sex. I applauded the anal antics happening in the lower intestines with the Snoid and fell in love with Devil Girl.

Ad — content continues below. Crumb was one of the pioneers of underground comics, creating classic characters like Mr. After Mr. Natural, Fritz the Cat was his most popular character.

Younger generations caught them after they were collected. Ballantine Books compiled three Fritz stories in The compilations Promethean No.

Further previously unpublished Fritz stories appeared in The R. Crumb Coffee Table Art Book in Crumb is one of the most influential comic artists ever and Fritz is his most influential character.

We never would have heard fart jokes on Nickelodeon. Robert Crumb practically invented the DIY print culture for magazines and graphic novels.

They put out their first comic book in in homemade notebooks. By Fritz was a beatnik caricature. Question is, how do we print them without going to jail?

In the first story, Fritz has sex with his own sister, and that was just wild, man. Get the best of Den of Geek delivered right to your inbox!

Fuzzy the Bunny appeared in the early Animal Town strips. He was just fun to draw. Crumb moved to the center of the counterculture in San Francisco after he left his wife with the power of attorney in He published underground until Zap Comix issued its first Fritz the Cat issue in One of the first animated images found in the corners of an early notebook was of a cat and a mouse fucking.

Kitty from South Park. Fritz the Cat had the benefit of the doubtful generation pissing on its head like a bunch of hard line workers party hard hats.

Crumb dipped into those bags often. Crumb admitted that he was sexually attracted to Bugs Bunny. I just combine my personal experience with classic cartoon stereotypes.

In the summer of , Fritz the Cat strips appeared in the Viking Press compilation titled Head Comix , which got Crumb a lot of attention and made Fritz the most recognizable cat in the underground comix scene.

He wrote, directed and produced four shorts before the studio closed in Bakshi founded Bakshi Productions with producer Steve Krantz in Then he realized how liberating Crumb made the possibilities.

He could redraw the world. Which was hysterically funny and, I think, great—like Uncle Remus stuff. And I always told him that the black crows were funnier.

So it was a slow awakening. A doubtful Crumb loaned Bakshi one of his sketchbooks as a reference to egg him on.

Crumb was not enthusiastic about the project. In The R. Warner executives wanted to cast celebrity voices and insisted that Bakshi toned down the sexual content toned down.

Fritz the Cat was the feature debut of writer and director Ralph Bakshi, who would produce a string of subversively beautiful creations to the screen, like the animated Blaxploitation cartoon Coonskin , Cool World , and the animated cult science fiction classic Wizards.

He satirized the sanitized studio by showing silhouettes of Mickey Mouse, Daisy Duck, and Donald Duck cheering on the United States Air Force for dropping napalm on a black neighborhood during a riot.

Ira Turek traced photographs with a Rapidograph, the technical pen Crumb used in his drawings, and drew them onto cels. The background in the Washington Square Park scene is a watercolor painting that was traced off of a photograph.

The effect does more than make it realistic, it brings it to life. You can almost see the cels breathe. One animator refused to draw a black crow shooting a pig cop.

John Sparey drew the bulk of the first sequences, and the crew worked off photocopies. Fritz the Cat was made without pencil tests.

Bakshi timed the animation by flipping the drawings in his hand until they matched the screen. The animators make it very clear that the crows smoke marijuana rather than tobacco.

You can almost catch a verdant whiff and maybe even envision a contact lens high. You see the same intense detail from the opening credits when one of the construction workers pees off of the scaffold on a long-haired hippie with a guitar, the golden shower separates on the way down in slo-mo, as it dances through the wind of the free fall, only to come splashing cruelly down on the oppressed artist on the street.

Cats or crows, rabbits or pigs, all the animals shuffle to their own rhythm. Ed Bogas and Ray Shanklin composed the score. This cool cat was born of a sociopolitical consciousness and free love.

When the film came out, Crumb said he hated that smarmy voice and that he thought Bakshi should have done it. Ralph Bakshi narrates the film and plays Pig Cop 1.

John McCurry voices Duke in the pic. Phil Seuling plays Pig Cop 2. Mary Dean does an uncredited turn as Harriet and the other two hippie chicks.

Skip, who would go on to be a featured performer on the PBS educational show The Electric Company , was the only professional actor in the Washington Square Park sequence.

Bakshi brought realism by recording almost all of the dialogue on Manhattan streets. He paid two construction workers fifty bucks each to record them as they drank Scotch.

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